Award-winning New York artist Robin Antar’s collection of sculptures, called REALISM IN STONE, look so authentic, they have the viewer asking, “Is this a sculpture or the real thing?” 

 

We were lucky enough to chat with her, and explore her extraordinary art and life. 

 

 

Robin Antar began her journey in stone sculpting as a teenager in 1974, creating abstract sculptures that were deeply rooted in her emotions. She pursued her passion for art and earned a Bachelor of Fine Arts (BFA) from the School of Visual Arts in New York in 1981. In 1998, she shifted her focus to realism, drawing inspiration from American popular culture and significant events that have shaped American history.

 

Antar has received numerous accolades for her work, including the Margo Harris Hammerschlag Competition from the National Association of Women Artists, the Wynn Newhouse Grant, and the Allied Artists of America Gold Medal of Honor. Her sculptures have been exhibited in prestigious venues such as Sotheby’s, The National Arts Club, Nabisco Gallery, the City Museum of St. Louis, the Provincetown Art Museum, and the MGM Grand.

 

Her work has garnered attention in various media outlets, including Food Network Magazine, the New York Post, Art Business News, the Huffington Post, Sportswear International, the New York Daily News, HGTV, and Fox News. She was featured in the book "100 Sculptors of Tomorrow" by Kurt Beers and recognized among the “Best Artists in the World” in Square Mile magazine.

 

She is the first female artist to be represented by POP International Galleries in New York City. Antar has also been commissioned to carve replicas of products for well-known companies such as Dr. Martens, Stella Artois, Skechers, and Château Haut-Brion. One of her public sculptures, "David’s Knot in Flames," is displayed at Zucker Hillside Hospital in Glen Oaks, NY, further showcasing her impactful contributions to the art world.

 

Currently, Robin Antar resides and works in West Long Branch, NJ.

 

Yule marble and 3d prints

Base 12”h 40”w X 63”d

Sculpture 33”h X 33”w X 58”d

 

“Two different brands of potato chips inspired the form and color of the chips in this piece. America loves its comfort food!”

 

A giant “Potato Chips” bag merges the mundane with the monumental. The bag’s slightly crumpled form, as if mid-motion, adds a sense of realism and dynamic movement. The lightweight appearance of the 3D-printed potato chips contrasts sharply with the heavy, solid bag carved in marble, highlighting the juxtaposition between traditional sculpture and contemporary fabrication methods, as well as, a sense of past (nostalgia) and present/future.

 

Onyx

29”h x 15”w x 11”d

Granite Base: 2”h x 16”w x 10”d

“This stone “knot” is intertwined in multiple places, provoking a response in the viewer to mentally ‘undo the knot.’

 

The tangled forms in the middle of the exhibition embody the chaos and confusion often caused by trauma. This knot sculpture, however, suggests the complexity of the mind struggling to unravel emotional pain, offering a contemplative space for viewers to reflect on their own entanglements as they begin undoing their mental “knots.

 

 

I sculpt in stone, observing American life and human nature with two parallel and intertwining bodies of work. One offers a visual record of American contemporary culture, while the other focuses on personal trauma and conflict.

 

The “Realism in Stone” series presents opposing aspects of Americans’ exterior and interior lives through culture-laden symbols of American products and emotionally charged political symbols.

 

This exploration is grounded in the abstract sculptures I’ve created since I first put chisel to stone. “Expressions in Stone” are pure abstractions of personal emotions - a deep dive into teenage angst, relationships, marriage, motherhood and life's challenges. On a universal level, these emotions are symbolic of our struggles as a nation and as individuals who are grappling with the conflicts of daily life.

 

The American Dream in the face of conflict and struggle has connections to our own feelings and experiences. My sculptural work represents our personal and collective trauma in society to learn, discuss and release it as a way of survival for our nation.

 

Black and green marble

14"h X 35"w X 12"d

“This sculpture shows two people having a conversation about how to settle universal problems. The shape of each piece shows that each person has a different personality.”

 

This final "Conversations" sculpture is the last piece in the exhibition. The two pieces invite the viewer to consider the impact of communication, both internal and external, in mending fractures and fostering reconciliation.

 

Carved from Honeycomb Calcite

Honeycomb Calcite: 18"h X 18"w X 18"d

White Marble Base: 3.25"h X 18.5"w X 17.75"d

“This graphic figure form was developed while I was in college as a simple figure. I've used it in the Conversation pieces and in several pattern paintings.”

 

This fluid and evolving sculpture stands in contrast to the knot sculptures, symbolizing the question of “What next?” that follows trauma. The white “fissures” and rough exterior of the honeycomb calcite stone suggest a sense of both fragility and resilience, representing the uncertainty of moving forward while also carrying the weight of the past.

 

Robin Antar (b. 1957)

Honeycomb calcite and Yule marble 

28”h X 7”w X 6”d

 

Carved out of a solid piece of honeycomb calcite with a four-inch size Yule Marble ball perched at the top. What started as a 100-pound block of hard and rigid stone was carved to resemble a flexible rubber substance that could be bent at will into another form. 

 

I’ve been an artist since I was a young child, always knowing that I wanted to do something creative. I struggled with the academic aspects of school, feeling more drawn to artistic expression. In 1974, when I first put a chisel to stone, I was completely hooked. 

 

My journey began when I moved to New York in 1973 and saw a stone carving my aunt had created. I remember thinking, “I want to try that,” even though I felt scared and doubted my abilities. But I decided to go for it anyway. The moment I touched the stone with the chisel, I felt an undeniable connection. 

 

I was fortunate to have a high school teacher who recognized my talent for form and encouraged me to pursue my passion. That support gave me the confidence to keep going and set me on a path that has defined my life ever since. Art has been my guiding force, and I’m grateful for the journey it has taken me on.

 

Watermelon marble

17”h x 40”w x 17”d

“This D-Knot was created while my son was in drug rehabilitation. Throughout the year-long creative process, I used powerful carving tools to express my anger and frustration, creating a piece that mirrors the complexities of his struggle with addiction.”

 

David Antar had a tough exterior but a kind heart. He founded the organization called “CRY OUT” to help others with addiction, although he ultimately could not save himself. Three years later, the family received the heartbreaking news of David’s passing. D-Knot #1 reflects the dualities of strength and vulnerability inherent in addiction, showcasing the contradictions symbolized by a hard stone that appears pliable with sharp lines in the soft color of the watermelon marble. Robin Antar’s D- Knots represent the challenges of life and universal themes of struggle.

 

Marble 39”h x 26”w X 15”d

 

This sculpture was created as a tribute to my son David Antar, who passed away October 28, 2013. It was carved from a 1,500-pound block of Turkish marble at the summer 2014 session of Marble/Marble-26. This in itself is strange, because my David passed away at the age of 26 as well.

 

The stone, which now weighs 500 pounds, also has purple veins running through it – also a strange thing, because when David was young and having a very hard time with life, his ‘secret code’ to me when he needed help was to whisper “purple!” That was also his favorite color when he was seven or eight years old. I had forgotten all of it when I purchased the stone – but it all came back to me as I worked through the carving. 

 

I carved a knot because David had a very hard life. The knot represents his pain; but the knot breaks open into a flame, which to me represents life – his soul rising to Heaven. This was an extremely hard thing for a mother to do. But for me, a sculptor, it was also a work of healing.

 

Yes, art is my full-time career. I eat, sleep, and drink art; it is what keeps me alive. My passion for creativity runs deep, and it’s not just a job for me—it’s an essential part of who I am. This level of dedication fuels my work and allows me to express my unique perspective. I find that my connection to art enriches my life and resonates with others. Art has saved my life several times.

 

The foundation for my exploration into American culture began in high school and is grounded in the abstract sculptures I've been creating since I first put a chisel into stone. This journey evolved into the pieces in my “Expressions in Stone” series, which are all pure abstractions of personal emotions—a deep dive into teenage angst, relationships, marriage, motherhood, death, and life’s challenges. Each piece reflects my experiences and feelings, allowing me to communicate the complexities of life through my art.

 

Limestone, Marble, Calcite, Mixed Media

13”h x 26”w x 22”d (with base)

“This piece was inspired by a fond childhood memory of my neighbors who would invite me to their house for barbecues on summer weekends.”

 

“Summer Barbecue” explores America’s sense of nostalgia and comfort through food and friendships. The hamburger is carved with meticulous detail to allow the viewer to “feel” the texture of the beef patty, the softness of the freshly baked bun, and the layers of lettuce, tomato, onion, and pickles. The honeycomb calcite stone suggests the satisfying crunch of a perfect fry. The serving is arranged in a slightly heaped, casual manner, as if just pulled from the fryer.

 

White Travertine

20”h x 11”w x 6.5”d

“I created a series of condiments typically found in American diners and eateries, although I personally don’t use condiments or keep them in my kitchen. I am simply ‘the artist as observer’

 

Sculpted from a solid block of yellow travertine, this hyper-realistic stone carving of a bottle of French’s Classic Yellow Mustard blends pop art with the precision of realism. The smooth, polished surface mimics the familiar squeeze bottle shape. At the same time, the classic French’s logo is delicately hand-painted on the front, inviting viewers to reflect on the cultural significance of simple, mass-produced objects in daily American life, paying homage to

the comfort and nostalgia of classic diners across the country.

 

Yes, I have favorite places where I love to create. One of my favorite spots is the mountains in Colorado, where I enjoy rough cutting stone amidst the breathtaking scenery. The natural beauty and tranquility of the mountains inspire me and provide a perfect backdrop for my artistic process. 

 

Recently, I finished building a new studio with excellent ventilation, and I am truly enjoying my new space. It’s a place where I can fully immerse myself in my work, surrounded by the tools and materials I love. This studio allows me to explore my creativity in a comfortable and inspiring environment, and I’m excited to see how it will influence my future projects.

 

Bronze

7”h X 16”w X 14”d

 

Carved out of a solid block of buff colored limestone and then cast in bronze. The iconic Cowboy Hat; I created this replica as part of my "What is American" series in 2010. Though I am a second-generation American whose family has no roots in the West, I felt that this hat symbolizes an important part what can be called Americana

 

I have a strong preference for materials that allow me to express my creativity fully. One of my favorites is Carrara marble. It’s a beautiful stone that lends itself well to traditional carving techniques, especially when using an air hammer. The fine quality and workability of Carrara marble make it a joy to sculpt.

 

In contrast, when I work with brighter colored stones, I find that I’m more limited in my approach. These stones often require different techniques, such as cutting, slicing, pitching, and grinding, rather than extensive chiseling. While I appreciate the unique qualities of various stones, Carrara marble remains my go-to material because it allows for a more traditional and expressive carving experience. Each stone has its own character, and I love exploring the possibilities they offer in my art.

 

Limestone, Oil Stains

29”h x 12”w x 6”d

“What’s more comfortable than a soft, well-worn pair of jeans? Americans love to be comfortable, and we love our jeans!”

 

A pair of jeans carved with meticulous detail out of stone, symbolizes the durability and cultural weight of this American fashion staple. Jeans originated as functional workwear in the mid-19th century for miners during the California Gold Rush. By the mid-20th century, jeans gained global recognition, symbolizing rebellion, counterculture, and youth. Today, jeans have transcended their humble beginnings, representing a versatile and universally accepted style - synonymous with American identity.

 

Limestone, Oil Stains

6 1/2”h x 11 1/4”w x 4 1/2”d

“The American-made work boot is a symbolic tribute to the American spirit that built this country.”

 

This stone sculpture, “American Worker, American Made,” honors the hardworking individuals whose labor built the foundation of the United States’ industrial strength. The work takes the form of a boot, symbolizing the collective story of American workers and their enduring contributions. The sturdy construction reflects the resilience of the labor force, while the detailed craftsmanship evokes the precision and skill inherent in American-made products.

 

Limestone, Oil Stains

27”h x 23”w x 6”d

“The timeless comfort of a jean jacket is at the top of my list of iconic clothes that symbolize American popular culture.”

 

The jean jacket has long held a place in American popular culture, symbolizing both individuality and unity. Emerging as a practical work garment, it evolved into a staple of casual style, worn by everyone from rebellious youth to music legends. Its enduring popularity is tied to its versatility and association with freedom, comfort, and self-expression.

 

One of my notable works is a carving of the U.S. Constitution, intricately sculpted into a knot from a large block of marble. The words of the Constitution are woven into the knot, which is held up by marble hands emerging from a pile of rocks. This piece symbolizes my response to the current state of our nation. The act of carving it with my own hands represents my personal statement and commitment to the ideals of unity and understanding.

 

Through my art, I aim to provoke thought and encourage dialogue about the challenges we face. I use my craft as a medium to express my beliefs and observations, hoping to inspire others to reflect on the importance of coming together in these divisive times.

 

Carrara marble and granite

41”h X 25’w X 25”d

“Political parties in the United States are fighting against each other and can’t agree on anything. Everyone is in a knot. So I decided to make a literal knot out of the Constitution, held up with a carving of my hands. My hands, my

statement.”

 

“U.S. Constitution in a Knot” is a symbolic piece featuring the U.S.  Constitution as a document, with all seven articles tied into a knot, representing the complexities and challenges within the nation’s principles. The intertwined form reflects current turmoil, while intricately detailed hands symbolize individual responsibility and the struggle to uphold these values. The sculpture rests on a pile of rough granite chips, highlighting themes of fragmentation and disarray, contrasting with the smooth marble. Overall, it serves as a poignant commentary on the chaotic state of the nation, embodying both despair and determination in the effort to maintain important values amidst societal conflict.

 

Bag: Colorado Yule, marble

M&M’s: Carved out of marble and cast in resin

Bag: 30”h x 15”w x 20”d

M&M’s: 3” x 3”

Base is 18”h total - weight: 800 lbs.

"The 9/11 attacks on the World Trade Center made me rethink: What is America? What could I carve in stone that would represent this event that forever changed America?"

 

“North Tower 9/11” was carved after the September 11, 2001 attack on the World Trade Center, a turning point in the American psyche that faced a new reality while longing for its nostalgic past. America’s love of comfort food became the pretext for the sculpture, expressed by colorful M&M’s spilling from the wreckage of the North Tower. This conceptual approach aims to convey the sense of loss and the shattering of normalcy, using the bag and candies as metaphors for the Towers and the lives affected by the tragedy, symbolizing fractured American perceptions of safety and unity.

 

On my web site: https://robinantar.com/collections/see-all

 

Bag: Marble, oil and acrylic paint

Cookies: Cast resin, acrylic paint

3.5”h x 15”w x 8”d

“Milanos were my favorite cookie growing up; fond memories of a childhood in America.”

 

This intricately carved marble sculpture captures the delicious moment of an opened bag of Milano Cookies with several cookies spilling out. One cookie is already half-eaten, evoking the subtle wit in many of Robin Antar’s sculptures. The textured surface of the cast resin cookies contrasts with the smooth surface of the open bag. Each cookie is meticulously detailed, from the slight curvature of the chocolate filling to the crumbly edges that give the impression of crispness.